Miniver Cheevy

Today I find myself thinking of how as the year 2000 approached there was lots of talk of the Greatest X of the 20^th Century or the Most Important Y of the Millenium.

When talk came around to the Greatest Artwork of the 20^th Century, I certainly had to respect folks who went with Guernica or Le Sacre du Printemps or Seven Samurai. But for me, it's no contest.

For what, other than art, can you call a human being standing on the surface of the Moon? Whatever other explanations one might offer, we went to the Moon not because it was useful, but for the same reason we do all art. We felt at some deep human level that it was simply too compelling an idea not to take the effort to make it happen.

What could be more human? We are curious monkeys. We will risk our lives to know something more about the world. Then, unsatisfied, we will risk our lives again to see it for ourselves. Then, unsatisfied, we will risk our lives again to touch it.

What could be more emblematic of the 20^th Century? It would have been impossible before: the integral role of technology, that great force of the century, is obvious. And with that there is also the role of technological hubris. The 20^th Century political order gave us governments able to gather the resources ... and driven enough by rivalry to invest those resources into it. Global communications meant that half a billion people could participate in it as it happened.

And to that last point, when we talk about it, we ordinarily say that “we went to the Moon.” Not those three astronauts, not NASA, not the United States of America. We went, all of us. In part as witnesses, yes, but also truly as participants, because doing it took just about everything we had. Everything we knew about nature, and technology, and the human frame ... the wealth of the world providing the resources to build the machines, and to support and train the people who did the work ... the wit and skill of people from around the world ... and everything our ancestors did to bring us to the place where we had enough to work with. All of us, even people like me who were not yet born, as the future witnesses who would make the act immortal.

What will be the greatest artwork of the 21^st Century? It's easy to say the next step, but that seems wrong to me. I like the idea of the Clock of the Long Now. But the century is young; it's more likely something I cannot imagine. Whatever it will be, it has a tough act to follow.

Labels: art, science