tag:blogger.com,1999:blog-6216910.post108930069249564832..comments2023-10-30T01:52:04.961-07:00Comments on Miniver Cheevy: Insert Jerry Lewis joke hereJonathan Kormanhttp://www.blogger.com/profile/06249159323930786199noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-6216910.post-1089984322560117962004-07-16T06:25:00.000-07:002004-07-16T06:25:00.000-07:00I don't know from French popular music, but Les Nu...I don't know from French popular music, but Les Nubians are quite good.<br /><br />-KiraAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-6216910.post-1089826843467703902004-07-14T10:40:00.000-07:002004-07-14T10:40:00.000-07:00Technically, "d'eau," I believe. The h was purely ...Technically, "d'eau," I believe. The h was purely a Homerian nod, bien sûr. ;)<br /><br />--ajAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-6216910.post-1089763859097713802004-07-13T17:10:00.000-07:002004-07-13T17:10:00.000-07:00I definitely have to agree with AJ on Debussy. I l...I definitely have to agree with AJ on Debussy. I lack even a pale shadow of an informed opinion about any of my commentators' other examples.<br /><br />On the other hand, I have to say that in my limited experience, European pop does generally stink, and French pop is the worst on the continent. Never mind comparisons to Elvis or the Beatles --- precious little French pop measures up to the better local acts you'll find selling CDs after their show in a bar in any major city in the US.<br /><br />And I'm fairly sure it should be spelled "D'eaux!" Non?Jonathan Kormanhttps://www.blogger.com/profile/06249159323930786199noreply@blogger.comtag:blogger.com,1999:blog-6216910.post-1089677222494432962004-07-12T17:07:00.000-07:002004-07-12T17:07:00.000-07:00D’eauh! No French music of any kind has mattered s...D’eauh! No French music of any kind has mattered since the 13th century? Setting aside issues of taste, who hasn’t been hit over the head with Bolero or music from Carmen since childhood? And Debussy and Ravel (and, to a lesser extent, Poulenc, Fauré, Gounod, etc) had far-reaching impact for their orchestrations and revolutionary harmonic language. Plus Mlle. Boulanger and the Paris Conservatoire influenced many significant American composers (Copland, Carter, Glass, Quincy Jones) throughout the 20th century. And Boulez and IRCAM, along with a couple other centers, pretty much have a stranglehold on current electronic music synthesis and research.<br /><br />[And a quick note regarding issues of taste: Messiaen’s Quatour pour la Fin du Temps mattered a lot to a lot folks (both its haunting music and its astounding creation in a Nazi war camp). And, though it’s been hijacked and overplayed by the advertising industry, the Flower Duet from Lakmé is probably one of the most gorgeous pieces of vocal music you’ll ever hear.]<br /><br />Don’t know enough about the French popular scene (except for MC Solaar) to say one way or another, and I have a sneaking suspicion Bérubé really doesn’t know all these genres all that well. But I do understand the power of hyperbole. It’s just that he’s gone and made me both rant and defend the French. <br /><br />-- ajAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-6216910.post-1089666437939366912004-07-12T14:07:00.000-07:002004-07-12T14:07:00.000-07:00Then there is one of my all-time favorite bands: "...Then there is one of my all-time favorite bands: "Les Negresses Verte". The one time I saw them play in concert, the show was so great I was ready to buy a ticket for the next show. Wow. Real carny-types complete with striped shirts, accordians and missing teeth. And great music to boot. Who can forget "Zobi la Mouche" ?<br /><br />- yezidaAnonymousnoreply@blogger.com